Once Upon Many Times

September 16, 2011 - January 30, 2012


Experience the art of Himalayan storytelling in this exhibition that explores the many themes and forms of visual and oral narratives.

 

 

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Human Currents

July 22, 2011 - November 13, 2011


Hannes Schmid's large, color photographs and aerial-angled movie capture the claustrophobic crowds, myriad colors, and energy of the Maha Kumbh Mela festival, the greatest of Hindu pilgrimages and the largest recorded gathering of human beings on earth.

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Pilgrimage and Faith

July 1, 2011 - October 24, 2011


The role of pilgrimage in three of the world's largest religious traditions—Buddhism, Christianity, and Islam—is explored in this exhibition of nearly seventy works of art and artifacts dating from the ninth century to the present.

 

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Quentin Roosevelt's China

May 13, 2011 - September 19, 2011


This exhibition presents the religious art of the Naxi—one of China's fifty-five ethnic minority nationalities—the majority of which was acquired in the early to mid-twentieth century by Quentin Roosevelt, grandson of President Theodore Roosevelt, and botanist-explorer Joseph Rock.

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Patterns of Life

April 8, 2011 - August 22, 2011


For centuries Tibetans have used carpets for decorative and functional purposes, drawing upon geometric patterns, auspicious symbols, and natural and mythical imagery for their design. This exhibition will showcase the stylistic variety and uses of Tibetan carpets alongside fine art and everyday objects that echo their imagery and illuminate their utility.

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Body Language

January 28, 2011 - July 4, 2011


Body Language: The Yogis of India and Nepal presents Thomas Kelly's striking photographs of sadhus, extraordinary-looking wandering ascetics who renounce worldly life and devote their lives entirely to religious practice and the quest for spiritual enlightenment.

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Grain of Emptiness

November 5, 2010 - April 11, 2011


Grain of Emptiness features five contemporary artists—Sanford Biggers, Theaster Gates, Atta Kim, Wolfgang Laib, and Charmion von Wiegand—whose works are inspired by Eastern religious beliefs.

 

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Embodying the Holy

October 6, 2010 - March 7, 2011


Embodying the Holy explores the basic similarities and differences between sacral representations in the Eastern Orthodox Christian and Tibetan Buddhist traditions.

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The Nepalese Legacy in Tibetan Painting

September 3, 2010 - May 23, 2011


This exhibition traces the development, patronage, and distinctive features of Tibet's Beri painting style, one of the country's most influential artistic styles for four centuries. The style represents a shift in artistic inspiration from India to Nepal with the fall of key Indian monasteries in 1203.

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A British Life in a Mountain Kingdom

August 6, 2010 - January 10, 2011


The Rubin Museum presents the first exhibition of late 19th and early 20th century photographs by John Claude White, a British government officer who was stationed throughout the Himalayas during the British Raj. White traveled extensively during his residence in Sikkim, documenting his journeys with an enormous camera. The resulting collection of large format prints represents the mountains he loved and the people whom White considered companions and friends.

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Tradition Transformed

June 11, 2010 - October 18, 2010


Tradition Transformed: Tibetan Artists Respond marks the first exhibition of contemporary Tibetan art in a New York City museum. The nine Tibetan artists featured each explore contemporary issues--personal, political, and cultural--by integrating the centuries-old traditional imagery, techniques, and materials found in Tibetan Buddhist art with modern influences and media.

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Remember That You Will Die

March 19, 2010 - August 9, 2010


Remember That You Will Die: Death Across Cultures explores the concepts of death and the afterlife in the European and Himalayan traditions from about the fourteenth century to the present. Societies rooted in these cultures have developed complex notions of death, often with startling visual counterparts.

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In the Shadow of Everest

February 26, 2010 - July 26, 2010


Tibetans know Mount Everest as Chomolungma, "Mother Goddess of the Earth," the place where the land touches the heavens. In her shadow lies the rugged expanse of the Rongbuk Valley where photographer Tom Wool spent four weeks capturing images in 2001. His sensitive photographs of religious and village life provide a glimpse into this remote land.

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Bardo

February 12, 2010 - September 6, 2010


The transitional states between death and either the attainment of spiritual enlightenment or the return to the cycle of rebirth are explored in Bardo: The Tibetan Art of the Afterlife. For centuries, Tantric Buddhism has used tools that aid in the preparation for hallucinatory visions that appear in the afterlife. Only by recognizing these visions as illusory can buddhahood be attained.

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Visions of the Cosmos

December 11, 2009 - May 10, 2010


Visions of the Cosmos juxtaposes Eastern and Western conceptions of the universe through approximately 70 works, including sculptures, paintings, illuminated manuscripts, rare books and prints from American and European collections, and photographs of the galaxies taken largely by the Hubble Space Telescope. Visions of the Cosmos marks the first opportunity for visitors to compare European works with the museum's Himalayan art collection.

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The Red Book of C.G. Jung

October 7, 2009 - February 15, 2010


The Red Book of C.G. Jung marks the first public presentation of what may be considered psychology’s most influential unpublished work. Jung’s fascination with mandalas—Tibetan Buddhist representations of the cosmos used to help reach enlightenment—is evident in these books where mandala structures figure prominently in many sketches and paintings.

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Victorious Ones

September 18, 2009 - February 15, 2010


Victorious Ones presents an array of paintings and sculptures depicting the Jinas, the founding teachers of Jainism, and the spaces they sanctify throughout the universe. Central to this Indian ascetic faith, dating from between the 6th and 5th century BCE, is an ethic of nonviolence and respect for all living beings. Images of the Jinas embody these ideals of perfection and serve as objects of devotion through which the Jinas can be accessed.

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Mandala

August 14, 2009 - January 11, 2010


The mandala, one of Himalayan Buddhism's most ubiquitous symbols, is created as an artistic aid for meditation. Depicting a realm that is both complex and sacred, the mandala is a visualization tool meant to advance practitioners toward a state of enlightenment. Mandala: The Perfect Circle explores the various manifestations of these objects, their symbolism, how they fulfill their intended function, and their correlation to our physical reality.

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A Collector's Passion

June 12, 2009 - November 9, 2009


This exhibition unites objects from Dr. David Nalin's collection and the multiple institutions to which he has donated. Over the last four decades, Dr. Nalin's art collection has grown in scale and scope, spanning South Asia and surrounding regions such as Tibet, Nepal and China.

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Stable as a Mountain

March 13, 2009 - July 13, 2009


Portraiture is one of the most powerful and significant expressions of figurative art, and in the Himalayas the subjects of religious portraits are exclusively religious teachers, or gurus. By preserving the physical appearance of a guru, an icon is produced that can charismatically substitute for the teacher in his physical absence. As such these portraits often embody the teachings of the guru and the traits of the enlightened mind. 

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Nagas: Hidden Hill People of India

March 13, 2009 - September 21, 2009


Residing in the low Himalayan hills of northeastern India and Myanmar (Burma), the Nagas are a people faced with both tradition and transition. This very diverse community is divided into a number of tribes and sub-tribes and speaks as many as 30 different languages.

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Patron and Painter

February 6, 2009 - August 17, 2009


A painting tradition established in the traveling courts of the great Tibetan Karmapas, most of what we know of the Encampment Style belongs to its eighteenth-century revival by the great scholar-painter Situ Panchen Chokyi Jungne (1700-1774). A combination of Indo-Nepali and Chinese artistic elements, the Encampment style was fostered under the tutelage and support of Situ, who acted as both artist and patron.

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Color & Light

December 12, 2008 - May 11, 2009


South Asia has long been famed for the beauty and diversity of its decoratively stitched cloth. Embroidery served—and to a large extent still serves—multiple functions in daily and religious life, serving as components of clothing, domestic and religious ornamentation, animal covers, and articles of daily use. The exhibition shows the extraordinary diversity apparent in the wide range of colors, patterns, and imagery of the region's textiles.

Detail Page

The Last Nomads

October 31, 2008 - March 2, 2009


The Wuzhu Muqin are the last remaining nomadic tribe in China, and have become Mongolian photographer A Yin's source of inspiration. Yin has become his people's advocate, exposing to the rest of the world the ancient lifestyle they maintain in the face of rapid modernization. Comprised of images captured over ten years, this exhibition offers a striking visual account of daily life in the Inner Mongolian highlands: from the labors of migration to the intimacies of kinship.

Detail Page

The Dragon's Gift

Friday September 19, 2008 @ 10:00 AM


The Dragon's Gift comprises 87 works of art in the New York presentation, including intricate paintings and images created using applique and embroidery framed in brocade, called thangkas; gilt bronze and wooden sculptures; and ritual objects ranging in date from the 8th to the 20th century, with especially strong examples from the 17th through the 19th century.

Buddha in Paradise

May 9, 2008 - August 18, 2008


In this exhibition, thirty paintings lay out the concept of "paradise" in Tibetan Buddhism, understood through different approaches and teachings, the most radical of which confronts us with the realization that paradise is all around us if we are able to perceive it. Poetry and writings by Buddhist masters, including texts that guide the passage from death to rebirth, are provided to accompany the visual communications of these ideas in paintings, textiles, and sculpture.

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Red, Black, and Gold

May 2, 2008 - November 10, 2008


This exhibition explores the three unique types of Himalayan painting in which color is used to invoke mood and emotion. Red is for alarm, power, and resolve. Black is for caution, fear, and protection. Gold is for wonder, wealth, and opulence.

Earthly Immortals

April 4, 2008 - August 18, 2008


This exhibition focuses on the high level of skill, sophistication, and creativity of Tibetan artists as they embraced Chinese ideas and combined them with distinctly Tibetan innovations in paintings of arhats—figures recognized as fully realized preservers and transmitters of Buddhist wisdom.

Nepal in Black and White

March 14, 2008 - October 13, 2008


“The realization that not only my camera but also the modern world was making ever-increasing intrusions into even the most remote areas of Nepal compelled me to document a time and way of life slipping inexorably into the past.” —Kevin Bubriski, 1993.

From the Land of the Gods

February 2, 2008 - February 7, 2011


This exhibition features the finest examples of Nepalese art from the RMA collection, highlighting the variety of forms and subjects, techniques and media that emerged from the creative matrix of the Kathmandu Valley.

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Bon: The Magic Word

October 5, 2007 - April 14, 2008


Bon: The Magic Word is the first exhibition of art to illuminate the Bon, a religious and cultural group living in the Himalayas and Central Asia—a group almost unknown in the Western world.

Written on the Wind

September 14, 2007 - February 11, 2008


Celebrating the opening of RMA in 2004, more than 120 modern versions of traditional Tibetan prayer flags were created by contemporary artists from around the world. Prayer flags, dar cho in Tibetan, are a means of spreading good fortune to all beings and have been a part of Himalayan culture for thousands of years, dating back to the pre-Buddhist Bon tradition.

BIG! Himalayan Art

August 17, 2007 - March 17, 2008


This exhibition presents the largest objects from the RMA collection in a dazzling display of brightly colored paintings and explores the reasons for creating the even larger thangkas.

Wutaishan

May 10, 2007 - October 16, 2007


The sacred mountain Wutaishan (Mount Wutai), located in Shanxi Province, China, is believed to be the earthly abode of the Bodhisattva of Wisdom, Manjushri, and for a thousand years it has been a focus of transnational pilgrimage for the Chinese, Tibetans, Mongols, and Manchus alike. This multi-culturalism, endemic of Himalayan art, is reflected in the objects in this exhibition coming from Nepal, Tibet, Mongolia, and China, including paintings, sculptures, masks, book covers and features a six-foot wide woodblock print, a panoramic view of Mount Wutai filled with temples and miraculous visions.

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What Is It?

October 27, 2005 - June 14, 2010


Himalayan art is new terrain for many people. This exhibition is intended to serve as a guide through this exhilarating landscape. It is organized into four sections, each addressing one of four basic questions about Himalayan art.

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  • Directions
  • By Subway
  • A, C and E to 14th Street (8th Avenue)
  • 1 to 18th Street (7th Avenue)
  • 1, 2, 3 to 14th Street (7th Avenue)
  • F and M to 14th Street (6th Avenue)
  • L to 14th Street (6th Avenue)
  • N, R, Q, 4, 5 and 6 to 14th Street Union Square
  • By Bus
  • M6, M7, or M20 to the corner of 7th Avenue and 18th Street.
  • M5, M6, or M7 to the corner of 6th Avenue and 18th Street.
  • Parking
  • There is a 24-hour parking lot on the corner of 17th Street and 6th Avenue. In addition, there are parking garages along 17th Street going towards Union Square.
  • Hours
  • Monday: 11 a.m – 5 p.m.
  • Tuesday: Closed
  • Wednesday: 11 a.m – 7 p.m.
  • Thursday: 11 a.m – 5 p.m.
  • Friday: 11 a.m – 10 p.m.
  • Saturday and Sunday: 11 a.m – 6 p.m.

  • The museum is closed on Christmas, Thanksgiving, and New Year’s Day.

  • The Café and the Shop are open during the museum hours.

  • To find out more about our tours
  • click here.
  • Accessibility
  • The Rubin Museum of Art strives to meet the needs of all visitors. For information about general accessibility and special programs at the museum, click here.
  • Admissions
  • Adults - $10.00
  • Seniors 65+ - $5.00
  • Students 13+ - $5.00
  • Children (12 and younger) - Free
  • Museum members - Free
  • Gallery admission is free every Friday from 6-10 p.m.
  • Gallery admission is free for seniors (65 and older) on the first Monday of every month.

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