Elaine Stritch + Murali Doraiswamy Happy Talk
Wednesday December 19, 2012 @ 7:00 PM
Price: $25.00
Member Price: $22.50

SOLD OUT
The stand-by list becomes available at the admissions desk exactly two (2) hours before the start of the program. You must be physically present to sign up on the list. Any available tickets will be released to the stand-by list, in order, beginning ten minutes before the start of the program. Each person can purchase up to two tickets. You must be physically present at the time your name is called or your place in line will be forfeited. Unfortunately, we are unable to predict how many tickets, if any, may become available.
Chairman's Circle members of the museum have first priority to purchase tickets for sold-out programs, should tickets become available. Please call 212.620.5000 ext. 344 to inquire about membership.
If you are a ticketholder to this event's originally scheduled date (Sept 23) and have not received a refund, you have automatically been issued a ticket to the December 19 rescheduled event.
Questions can be directed to the box office at 212-620-5000 ext.344.
A bona fide Broadway icon, Michigan born Elaine Stritch has spent over six decades on the musical and dramatic stage. Appearing in such acclaimed shows as Bus Stop, Sail Away, Pal Joey, Showboat and A Delicate Balance, her rendition of “The Ladies Who Lunch” from the 1970 Stephen Sondheim musical Company is legendary. She returned to “old Broadway” in 2011 playing Madame Armfeldt to the A-adorable Bernadette Peters’ Desirée in a sold-out engagement of A Little Night Music. With performances of her current cabaret show, Elaine Stritch Singin’ Sondheim…One Song At A Time before audiences in New York, Detroit and Los Angeles, there’s no retirement in the near future. . . “isn’t it bliss?”
P. Murali Doraiswamy is professor of psychiatry and a member of the Duke Institute for Brain Sciences. His lab researches the interplay between genetics and lifestyle in influencing human cognitive and emotional health.
Photo credit: Nathalie Vande Walle

Pia Brancaccio explores how Gandharan Buddhist art became an expression of the region's multicultural roots, where Indian, Greco-Roman, Iranian, and Central Asian traditions all existed side by side.
Susan Beningson explores the introduction of Buddhism into China, the evolution of the Buddha image, and how these images may have been used in ritual worship.
How the Buddha Came to Japan: Animation, Replication, and the Life of an Indian Image
Michael de Havenon is an independent scholar specializing in sculpture produced in Southeast Asia before the ninth century. In this illustrated talk he looks at how the image of Vishnu shifted as it was carried along trade routes to the kingdoms of Southeast Asia.
Hinduism has long accepted additions—to its pantheon, philosophies, devotional practices—but it has never discarded its ancient traditions. As a result the religion reveals both dizzying diversity and strong strains of continuity. Joan Cummins seeks out the commonalities between seemingly disparate images of Hindu and Buddhist deities.